International criminal proceedings have been consistently criticized due to the lack of an international legislative system, mandatory competent courts, and organized enforcement mechanisms. These factors are essential for establishing a comprehensive and credible legal framework. These shortcomings were particularly evident during the Nuremberg and Tokyo trials, where reliance on the concept of "justice" could not fill the void left by the absence of "legality." The criticisms raised during and after these trials highlighted the importance of the principles of legality of crimes and punishments within international criminal law. Although the process of accepting and establishing these principles has been slow, it has progressed steadily. A historical examination of international criminal proceedings—from the Leipzig High Court in the early 20th century, the Nuremberg and Tokyo trials in the mid-century, the International Criminal Tribunals for the former Yugoslavia and Rwanda in the 1990s, and ad hoc tribunals like the Special Court for Sierra Leone to the International Criminal Court (ICC) at the beginning of the 21st century—demonstrates a profound and gradual evolution in the acceptance and implementation of the principles of legality of crimes and punishments. This process began with denial and initial indifference to these principles and ultimately reached a point where adherence to them was explicitly stated as a legal necessity. This evolution reflects the continuous efforts of the international community to strengthen the legal foundations of international criminal proceedings and ensure the rights of the accused.

Mazkur ishda Shashmaqom tizimining musiqiy tuzilishi, uning asosiy qismlari, lad-tonal tizimi va kompozitsion qurilishi chuqur tahlil qilinadi. Shuningdek, Shashmaqomning estetik asoslari, ya’ni ohang, ritm, poetik mazmun va ijro uslubining o‘zaro uyg‘unligi orqali yaratilgan go‘zallik mezonlari yoritiladi. Tadqiqotda Shashmaqomning o‘ziga xosligi, milliy musiqiy tafakkurdagi o‘rni hamda madaniy meros sifatidagi qadriyati nazariy va amaliy jihatdan asoslab beriladi. Shashmaqomning badiiy-estetik ta’siri uning ijro an’analari, tinglovchi bilan muloqoti va musiqiy obrazlar yaratish vositalari orqali ochib beriladi.

Ushbu maqola ta'lim muassasalarida fuqaro muhofazasi tadbirlarini o‘tkazish va hujjatlarini ishlab chiqish masalalariga bag‘ishlangan. Maqolada fuqaro muhofazasi tadbirlarining ta'lim muassasalarida ahamiyati, asosiy qoidalari, tashkilotlar tomonidan bajarilishi kerak bo‘lgan vazifalar va hujjatlarni tayyorlashda e'tibor berilishi lozim bo‘lgan masalalar ko‘rib chiqiladi. Tadbirlar o‘quvchilarning xavfsizligini ta'minlash, favqulodda vaziyatlarga tayyor turish va evakuatsiya rejalari orqali muassasada xavfsizlikni mustahkamlashni maqsad qiladi. Maqola, shuningdek, hujjatlarni takomillashtirish, innovatsion texnologiyalarni joriy etish va muntazam yangilanishlarning ahamiyatini ta'kidlaydi.

Ushbudagi shaxsiy tarixiy jamiyati tarkibi, uningy ildizlari va maqola bosqichlari tahlili. shaxs, yig'ilish, miting va namoyishlar huquqi fuqarolik jamiyatining ajralmas elementi sifatida ko'rib chiqiladi. Sharq va G'arb tafakkuridagi fuqarolik jamiyati talqinlari o'ziga xos farqlar yoritilib, O'zbekistonga tegishli e'tibor qaratiladi. , "Farolarning mitinglari, yig'ilishlari va namoyishlari to'g'risida"gi qonun loyihasining mazmuni, asosiy prinsip va taktikaviy tahlili. Ushbu maqola xodimlarining ijtimoiy faolligi, o'ziga xos uyg'unlikni ochib tashlash va qonunchilik amaliyoti.

Ушбу мақолада таэквондочиларни жисмоний ва психик машғулотлар инсоннинг ўзига ҳам яширин бўлган индивидуал қобилиятлари ва имкониятларини тўлиқ намоён этиш масала ва муаммолари ҳақида фикр билдирилган.