The article depicts the student's character in English literature. The role, genesis, national nature, poetic-typological features and the portrait of students in the works of English literary writers, their character’s features, similarities and differences. The article presents samples from English literature, analyzes and studies comparatively and typologically. The comparative study of the works of world figures analyzed in the article will have a positive impact on the development of our international literature and will promote the reading literary books and reading culture.

Maqolada jadid adabiyotining yirik namoyondasi Abdurauf Fitratning adabiyotshunoslikka oid qarashlari haqida gap boradi. Uning adabiyotshunoslikka oid asarlari “Adabiyot qoidalari” va “Aruz haqida” risolalari tahlilga tortiladi, olimning o’zbek adabiyotshunosligida tutgan o’rni xususida fikr yuritiladi.

Alisher Navoi (1441–1501) is a legendary figure in Eastern literature. His poetry, rich in philosophy, love, and wisdom, continues to influence modern readers. With the rise of digital media, his works are now reinterpreted through social networks, music, and visual arts, allowing younger generations to engage with classical poetry in a contemporary way. This article explores Navoi’s literary legacy and its modern adaptation.

Ushbu maqolada shu maqsadda, shuning uchun, shu bois, shu sababli, shuning natijasida, shu tarzda, shu tariqa, shunday qilib, shu ma’noda, shu bilan birga, shu jumladan, buning uchun, bundan tashqari, bizga ma’lumki kabi olmoshli birikmalarning ilmiy matnlarda qo‘llanilishi o‘rganilgan. Bu birikmalarning qisqalik va mantiqiy izchillikni ta’minlash, fikrni boshlash yoki ta’kidlab ko‘rsatish, jumla, abzas va mikromatnlarni bog‘lash kabi bir qancha vazifalari ilmiy matnga xos misollar asosida tadqiq etilgan.

Metafora – bu badiiy tasvir vositasi bo’lib, unda biror narsa yoki tushuncha boshqa bir narsa bilan bevosita qiyoslanadi va bu qiyoslash orqali obrazli ma’no yaratiladi. Istiora esa — bu biror mavhum g’oyani yoki tushunchani ramziy obrazlar orqali tasvirlash usuli. Topishmoqlarda metafora, ko’chim, istiora kabi badiiy tasvir vositalari juda keng qo’llangan ammo nazariy jihatdan olimlar tomonidan chuqur o’rganilmagan mavzulardan biri hisoblanadi. Hattoki ushbu xalq og’zaki janrining o’zi ham yetarlicha ilmiy jihatdan ochib berilmagan. Ushbu maqola avvalida topshmoq va ularda qo’llanilgan badiiy tasvir vositalari yuzasidan ilmiy izlanishlar olib borgan fransuz va o’zbek olimlari haqida so’z yuritamiz.