Maqalada inglis hám qaraqalpaq tillerinde “mákán” konceptiniń semantikalıq ózgeshelikleri analizlenedi. “Mákán” koncepti insannıń dúnya haqqındaǵı kóz-qarasın qáliplestiriwshi eki tiykarǵı konceptiń biri bolıp, til hám mádeniyatta oraylıq orındı iyeleydi.

Mazkur maqolada Amir Temur va uning avlodlari – Shohrux Mirzo hamda Sulton Abusaid Mirzoning G‘arbiy hududlarga, xususan Ozarbayjon, Eron va Iroq tomonlaridagi yurishlari tarixiy manbalar asosida yoritilgan. Harbiy yurishlarning asosiy sabablari, yurish jarayonidagi siyosiy voqealar, hududlar o‘zgarishi, hukmdorlar o‘rtasidagi kurashlar va ularning natijalari tahlil qilingan. Temuriylarning Ozarbayjon ustidan olib borgan siyosati va harbiy strategiyasi tarixiy bosqichlar asosida bayon etilgan.

Ushbu maqolada Alisher Navoiy tomonidan yozilgan “Sab’ayi Sayyor” dostoni asosida psixologik ifoda vositalari tahlil qilinadi. Unda asardagi qahramonlarning ichki kechinmalari, aqliy va hissiy kurashlari, tafakkurdagi o‘zgarishlar badiiy tasvir usullari orqali yoritilgan. Navoiy o‘zining yuqori badiiy mahorati bilan inson qalbidagi murakkab ruhiy jarayonlarni obrazlar vositasida aks ettirishga erishgan.

This article, based on the work of A.G. Nedvetsky, describes the reign of Emir Abdulahad, who ruled in Bukhara, and describes the social life of the state during his reign, as well as his policy with the Russian Empire. His services to Islam are also mentioned.

This article explores the poetic interpretation of the bakhshi-style in the works of Usmon A’zim, one of the prominent figures in Uzbek poetry. The research focuses on the influence of oral folk traditions, particularly the lyrical and musical elements of the bakhshi art form. Key poetic devices such as repetition, oral constructions, musicality, and emotional expression are analyzed in the context of the poet’s work.